Our
Lady of Guadalupe - Guadalupe, Mexico (1531)
Patroness
of the Americas Feast Day in the USA - December 12th
The opening of the New World brought with it both fortune-seekers and religious
preachers desiring to convert the native populations to the Christian faith.
One of the very few converts in those early times was a poor Aztec Indian
named Juan Diego. On Feast of the Immaculate Conception, Juan was walking
through
the hill country in central Mexico on a trip to the nearby chapel. Near
Tepayac Hill he encountered a beautiful woman surrounded by a ball of light
as bright
as the sun. Speaking in his native tongue, the beautiful lady called to
him by name and identified herself: "My dear little son, I love you.
I desire you to know who I am. I am the ever-virgin Mary, Mother of the
true God who
gives life and maintains its existence. He created all things. He is in
all places. He is Lord of Heaven and Earth. I desire a church in this place
where
your people may experience my compassion. All those who sincerely ask my
help in their work and in their sorrows will know my Mother's Heart in
this place.
Here I will see their tears; I will console them and they will be at peace.
So run now to Tenochtitlan and tell the Bishop all that you have seen and
heard."
Juan, age 57, and who had never been to Tenochtitlan, nonetheless immediately
responded to Mary's request. He went to the palace of the Bishop-elect
Fray Juan de Zumárraga and requested to meet immediately with the Bishop.
The Bishop's servants, who were suspicious of the rural peasant, kept him waiting
for hours. The Bishop-elect told Juan that he would consider the request of
the Lady and told him he could visit him again if he so desired. Juan was disappointed
by the Bishop's response and felt himself unworthy to persuade someone as important
as a Bishop. He returned to the hill where he had first met Mary and found
her there waiting for him. Imploring her to send someone else, she responded:"My
little son, there are many I could send. But you are the one I have chosen." She
then told him to return the next day to the Bishop and repeat the request.
On Sunday, after again waiting for hours, Juan met with the Bishop who, on
re-hearing his story, asked him to ask the Lady to provide a sign as a proof
of who she was. Juan dutifully returned to the hill and told Mary, who was
again waiting for him there, of the Bishop's request. Mary responded:"My
little son, am I not your Mother? Do not fear. The Bishop shall have his
sign. Come back to this place tomorrow. Only peace, my little son."
Unfortunately, Juan was not able to return to the hill the next day. His
uncle had become mortally ill and Juan stayed with him to care for him.
After two
days, with his uncle near death, Juan left his side to find a Priest to
administer the Sacrament of the Sick. Juan had to pass Tepayac Hill to
get to the Priest
and in doing so he found Mary waiting for him. She spoke:"Do not be
distressed, my littlest son. Am I not here with you who am your Mother?
Are you not under
my shadow and protection? Your uncle will not die at this time. There is
no reason for you to engage a Priest, for his health is restored at this
moment.
He is quite well. Go to the top of the hill and cut the flowers that are
growing there. Bring them then to me."
While it was freezing on the hillside, Juan obeyed Mary's instructions
and went to the top of the hill where he found a full bloom of Castilian
roses.
Removing his tilma, a poncho-like cape made of cactus fiber, he cut the
roses and carried them back to Mary. She rearranged the roses and told
him:"My
little son, this is the sign I am sending to the Bishop. Tell him that with
this sign I request his greatest efforts to complete the church I desire
in this place. Show these flowers to no one else but the Bishop. You are
my trusted
ambassador. This time the Bishop will believe all you tell him." At
the palace, Juan once again came before the Bishop and several of his advisors.
He told the Bishop his story and opened the tilma letting the flowers
fall out. But it wasn't the beautiful roses that caused the Bishop and
his advisors to fall to their knees; for there, on the tilma, was a picture
of the Blessed Virgin Mary precisely as Juan had described her. The next
day, after showing the tilma at the Cathedral, Juan took the Bishop to
the
spot
where he first met Mary. He then returned to his village where he met his
uncle who was completely cured. His uncle told him he had met a young woman,
surrounded
by a soft light, who told him that she had just sent his nephew to Tenochtitlan
with a picture of herself. She told his uncle: "Call me and call my image
Santa Maria de Guadalupe".
The symbolism of the image
From a European perspective the hair on our Lady's image is
parted in
the
middle and flows to the side beneath the mantle
as was the style of
women
living in
the Holy Land. The moon
under her feet was a sign of
perpetual virginity.
The red, white and blue of the angel's wings represent
faith loyalty and
fidelity.
Her sash, known as a singulum, and the whiteness
of the ermine fur were
signs of chastity. The image, as a whole, is of the
description of the
woman in
the 12th Chapter of the Book of Revelations.
It should be noted that Bishop
Zumárraga
had prayed to Our Lady for
Castilian roses as a sign the violence between
the Aztecs and Spaniards
would cease. It was this very same Spanish variety
of
roses that Juan
Diego brought, from rocky ground, in December no less!
Those, plus
our Lady's image was a sign to him that she had heard his prayers
and
would grant his plea.
Important to the Aztecs was the fact that the lady who appeared to Jua
n
Diego was also an Indian, not a Spaniard, and spoke to him in Náhuatl,
the
Aztec language. It's believed that the word Guadalupe was actually a Spanish
mis-translation of the local Aztec dialect. The word that Mary probably used
was Coatlallope which means "one who treads on snakes"! Juan
Diego further explained that she appeared at Tepeyac, the place of Tonantzin,
the
mother god, sending a clear message that the Virgin Mary was the mother
of the true God. Like many ancient peoples, the Aztecs had no written language
but relied on pictograms to convey messages. Her rose dress, adorned with
a jasmine flower, eight petal flowers, and nine heart flowers symbolic
to
the
Aztec culture, is that of an Aztec princess. The stars on our Lady's mantle
coincide exactly with the constellations visible in the sky on December
12, 1531, but they are depicted as viewed from space rather than from earth.
Because Mary stands in front of the sun and atop the moon, she was clearly
seen to
be greater than both their sun and their moon gods. She is shown being
held
up by a heavenly being but her hands are joined in prayer signifying there
is a being greater than herself. The bluish green color of her mantle is
representative of divinity yet her lowered eyes clearly say she is not
a goddess. Our Lady
wears a pregnancy belt typical of soon-to-be Aztec mothers of the time
and this means the child is divine. The white ermine fur at the neck and
sleeves,
along with the gold border, signified royalty to the Aztecs. The stars
in her mantle along with the fact she is being carried represented a new
era.
The
broach is the same cross worn by Cortez and the friars meaning the true
religion is one the Spaniards brought to the New World.
Miracles revealed
in modern
times
Catholic sources claim many miraculous and supernatural properties
for the image such as that the tilma has maintained its structural integrity
over
nearly 500 years, while replicas normally last only about 15 years before
suffering
degradation. In 1791, an ammonia spill did considerable damage but the
tilma repaired itself with no external help. On November 14, 1921, a bomb
all but
destroyed the altar, but left the tilma and the assembled worshippers unharmed.
In 1929 and 1951, photographers found a figure reflected in the Virgin's eyes. Upon inspection they said that the reflection was tripled
in an effect commonly found in human eyes. An ophthalmologist later enlarged
an
image of the Virgin's eyes by 2500x and claimed to have found not only the
aforementioned single figure, but images of all the witnesses present when
the tilma was first revealed before Zumárraga, plus a small family
group of mother, father, and a group of children, in the center of the
Virgin's eyes,
giving us, essentially, photographs .... from 1531! Later, in 1936, a biochemist
analyzed a sample of the fabric and announced that the pigments used were
from no known source, whether animal, mineral or vegetable. Dr. Philip
Serna Callahan,
who photographed the icon under infrared light, discovered from his photographs
that portions of the face, hands, robe, and mantle had been painted in
one step, with no visible brush strokes and with no sketches or corrections
to
guide its creation.
The image and the circumstances surrounding it had an immediate impact
on the Indian population. To the dismay of the Spaniards, they had stubbornly
clung
to their old religion which demanded hundreds of human sacrifices to appease
their gods. Now they were introduced, in terms they clearly understood,
to the one true God whose love for them led Him to sacrifice His own Divine
Son
for them. In just six years six million of them thronged to churches and
missions to claim this Holy Faith as their own, a Faith that would remain
unshaken through
the 20th century revolution that saw tens of thousands of Priests, nuns
and ordinary people mercilessly executed for practicing that Faith.
